Sots-art breaks the taboo against identification
Unlike socialist realism, sots-art breaks the taboo against identification with the leaders. In sots-art, leaders turned from gods into heroes, and therefore became accessible for direct identification. The Double Self-Portrait (1973) is one proof of the modification of the identificatory function. In The Double Self-Portrait, K/M depicted themselves in the manner of stereotyped mosaic representations … Continue reading Sots-art breaks the taboo against identification
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